Showing posts with label how I write. Show all posts
Showing posts with label how I write. Show all posts

Tuesday, September 10, 2013

Random stuff I write for school #1

Am I Okay?


“Where am I?”

I didn’t even want to answer. In less than a minute, she’d forget she asked. What would it hurt if I simply waited her out? As some unseen force took control of my vocal cords, shoving out words, I hear myself say, “The hospital.”

“Oh, am I okay?”

There was the million dollar question. Every parent worries about days like this one. What started out as a simple stomach flu, or so we thought, resulted in our family doctor ordering us to the hospital for tests. Even the nurses and doctors in the ER thought it was silly—this kid obviously suffered from intestinal flu, nothing more or less, and should simply be watched for dehydration, but if the doc orders tests, tests they will run.

“Where am I?”

“The hospital.” I leaned back in the hard plastic chair. It squeaked in protest and I folded my hands over my face. First they’d run a white blood cell test. Obviously, if something was wrong, the white blood cell count would be through the roof. In the meantime, they’d put her on IV fluids and got some fenegren going to stop the nausea. She became drowsy and the white blood cell count results came back low, if anything.

“Am I okay?”

But they didn’t want to miss something so they ran a c-cell test. That test came back inconclusive. I remember worrying because I was late for work and losing money. The fluids and medicine obviously helped…why were they wasting more time? But they wanted to do an ultrasound—even though everything suggested she didn’t have anything major wrong—so she drank some nasty stuff before dozing back off. They ran their test and I paced the floor in my fast food uniform, the smell of old pizza and grease competing with the acrid bite of disinfectant.

“Where am I?”

“The hospital,” I answered again, almost out of habit by this point.

A man came in, his face permanently embedded on my memory. He looked like Colonel Sanders from the chicken place. He held a clipboard and seemed to be impatient and in a hurry. “Do you want Rainbow Babies or Cleveland Clinic?”

I blinked at him.

“Am I okay?” Her voice seemed to be getting stronger, but it was still the same two questions so I just reached out for her hand. I remembered staring at the king of chicken in complete confusion. “For what?”

“For the emergency surgery.”

“What? Do you have the right room?”

Colonel Sanders explained that my daughter had appendicitis, worse that it’d gone gangrene and her immune system had probably shut down days ago. Now her other systems were following suit in a massive collapse and she’d need surgery to survive.

“Where am I?”

“The hospital.” They’d rushed her away and I’d followed along. She kept sleeping, drowsy from both her illness and the meds, while my heart beat as hard as a cop at the door of a crack house. I gave up trying to guess what would come next, begging whatever gods might be listening not to take my baby girl away.

“Am I okay?”

“Yes,” I whispered, trying to find my voice past my fear. She’d be okay. She had to be.

Monday, March 25, 2013

A kiss is just a kiss?

Back in highschool, I was in the choir. Okay, busted, I was in a lot of things. I'm a bit of a joiner. No is not my favorite word. Anyway, in choir, we once sang a song made popular at the time by Cher's remake.

"If he loves you so
Its in his kiss!
(That's where it is!)"

Is it?

I kind of think so. Like so many little things in writing, this can translate to your story, too. There are literally hundreds of different kinds of kisses, some of which you've probably experienced, and in writing you can show a character's development using all interactions, even kisses.

Hundreds of kisses

Probably, you think I'm exaggerating since you're thinking of the two kisses they all kind of get lumped into when you're catagorizing. There's the platonic kiss (peck) you might bestow on a friend or family member. A quick smooch, no tongue, just a hey-how-ya-doin brushing of lips against skin. Then we have the romantic kiss...often including tongue, sometimes not, but always that little zing of electricity which makes us smile like goofy fools.

But those two big categories break down into tons of tiny ones. There's the first kiss, that almost shy invitation which may or may not be returned. There's the angry kiss, lips slanting and fighting for dominance. There's the goodbye kiss, tasting of tears and endings.

You can tell us the kiss was angry but have you shown it? In your lifetime, a kiss probably communicated more about your relationship to the person on the receiving end of it...just as their kiss tells you volumes.

Test Kisses

So, this is a real life story and shows how much publishing has taken over my brain, sadly. One drunken evening (yes, I have those, rarely) I was spending time with a guy that I'd previously dated. I proudly proclaimed that I was finally in a position mentally that I wouldn't react to him.

Fortunatly, the guy in question was wiser than I, and pointed out kissing, in general, is enjoyable.

So regardless of my emotional walls, chances were good I would find kissing pleasant. Can you, though, tell a lot about how a person feels about you from a kiss?

I really think you can. You can, even though my test was a very lame (Let's blame it on alcohol.) way to gauge the feelings involved, tell a lot about how you feel and the other person feels from just that tiny of an interaction. Are they hungry for your touch, a little breathless, hands shaking?

Probably not an indicator they don't care if they're reacting like that. Some part of them does...even if it's below the belt.

Do they 'feel' distant? Did they break from the kiss to chat about the weather?

Have you seen He's Just Not That Into You?

Building a Bridge

Nonverbal communication makes up 90% of human communcation, not verbal (according to various sources online and in some of my classes) meaning a lot is going on in just how we move, touch, and the expressions on our faces. Ditto for romance, whether on the page or in reality.

If someone is attracted to you, they touch you. I'm not talking about grinding into you like a dog in heat, although this might sometimes be the case, I'm talking about little things. Touching your arm to get your attention. Putting a hand behind your back to guide you. Even accidental touches, grazing your hand when passing something, can communicate more than any epic speech.

(the idea is supported by a study - Burgoon, J. K. (1991). Relational message interpretations of touch, conversational distance, and posture. Journal of Nonverbal Behavior, 15, 233-259.)

In real life, this means that if they're giving you closed body posture (arms folded together, leaning away, etc) chances are good we're back to He's Just Not That Into You territory. Are they touching you, leaning in, invading your personal space? Maybe they're telling you something more than about their vacation.

In your writing, you should show this build up, as it's part of the dance. Men shaking hands can be a sign of trust. A woman who laughs and touches your arm without noticing she's doing it may be signalling, even if she doesn't mean to, attraction.

Making that kiss all the more powerful.

So, is it in his kiss?

Well, if it's not, perhaps you might want to have a chat.

Happy Writing!

Thursday, November 29, 2012

Blurb Writing 101

I realized I haven't really done a post on blurbs in my writing tips and tricks blogs and I should have.  Really, I should have.

Vague it up much?

There is such a thing as a really good blurb.  Conversely, there are also really bad ones.  Often, when writers try to be mysterious or intriguing, tempting readers to read more...what you're really doing is being so damn vague, readers don't care.

Example 1

Darcy danced her way into fame during her stint on Broadway.  Breaking hearts and taking names, she couldn't love like she once had.

Until they came...

Did it follow the rules?

Why does that suck, Virg?

Who the hell are they?  What do they have to do with her ability to love?  What does any of that have to do with BroadwayWhy do I care? Your reader should never be left wondering why they should care.

Since you gave us none of the information needed, it sucks.  Few readers are going to be interested in such a vague blurb.

Example 2

Monsters are here.  They're among us.  Only Darcy can defeat them...but will she do it before it's too late?

Did it follow the rules?

Again, suckgasm. 

What kind of monsters?  Among who?  What the hell makes Darcy so special?  When you're writing the blurb, you should have a pretty clearcut idea who your audience is, what your genre is, what your major conflict is and you should squash all that together to intrigue the reader. Basically, your blurb should answer the 5W's and the one H.

Huh?

Who, what, when, where, why, how.  Add a hook to it, and you're done.

Again, the writer might think they're being intriguing in my examples.  They're wrong.  Too many unanswered questions isn't intriguing, it's confusing.  People who are confused aren't happy.  People who aren't happy don't like to give you money.  Just bein' honest here.

Now, let's look at one of my blurbs (since I don't really have permission to share other people's blurbs as examples.)

Sample Blurb 1 (From Dom of the Dead, coming soon from Decadent Pub)

She couldn’t imagine living without him.


When Carson Black’s longtime crush and best friend dies in a bike accident, she openly weeps at his funeral. Never expressing her feelings for him, she thinks she might be going mad from grief when his voice, his scent, his desires…seem to fill her apartment.


He was afraid to demand what he needed.


Randall Stokes loves Carson but didn’t express it while he was alive. A dominant, he didn’t dare dream that the sweet girl next door would do the things that he needed to find satisfaction. When tragedy strikes, he not only has nothing to lose but a suddenly clear view into what she needs, wants, desires. Is it too late to take what they’ve both longed for?


A ghost of a chance…


Love lingers, though his body is gone. Can Carson and Randall find love in the Dom of the Dead?
 
Did it follow the rules?
 
Do we know, based on that blurb, who?  Yup, Carson and Randall.  Where?  Okay, vague there. Why?  Because he died.  What?  Something about Bdsm and love. When?  Contemporary--the motorcycle.  How?  Apparently he's haunting her.
 
Although I answered all these questions, I've left dangling ones.  Is it too late to fall in love with a dead man's ghost?  Well, you'll have to read it to find out.  But I didn't leave so many questions unanswered that readers are sitting there asking themselves what my book is even about.
 
Sample Blurb 2 (From Proper Care and Feeding of a Sex God, coming in March 2013 from Champagne Books)
 
Being a sex god isn't easy...

Yes has been a sex god for centuries. No one wrote stories or songs about him but they sure do remember to call out his name at the peak of pleasure. Satisfying the world by fulfilling their carnal needs, he is no stranger to Aphrodite's Island. When his sister, troublemaker that she is, calls him home for what she deems a 'special' job, he shudders to think what she could want.

Being frigid is worse...

Katie can't get off. She's determined it's physically impossible. She's tried everything--toys, men, women, flogging. It's just not happening. Finding an ad for a tropical island promising 'ultimate fantasy experiences' she figures it's worth a shot. It's not going to work, but it's worth a shot.

Passion beyond her wildest dreams...

Who knew the one man who can trip her trigger would refuse to touch her? The more he backs off, the more he tempts her. Katie is fascinated by the man Miss A has sharing her hotel room but, although he seems attracted, he won't do the deed.

Can Katie figure out The Proper Care and Feeding of a Sex God?
 
Did it follow the rules?
 
Who?  Yes and Katie.  What? A fantasy vacation with a sex god. Where? Aphrodite's Island. When? Contemporary. (Ad, toys, slang) Why? Because she can't get off and he is a sex god. How? Because Aphrodite set them up.
 
Again, it answers the questions yet still has a hook.
 
So, basically try to answer these questions to avoid being vague.  You'll still intrigue readers while not leaving them so confused they don't bother.
 
Just my advice. 
Happy Writing!!
 
 
 

Friday, July 6, 2012

I turn people on for a living...

Yesterday's post on gothic literature ties into today's on erotic.

Yes, I write smut. I turn people on for a living. Sounds easy. I hear that all the time, writing romance is easy.


The goal of the writer is to make the reader feel something. Whether it is the work of King, which drives the reader down the comfortable Main Street, Anywhere, USA, and then reveals that Anywhere is actually a horrifying place to live or the erotic novel with nipples puckered to hard points, the reader wants to be transported somewhere else.

An interesting facebook picture that someone sent (and I later had to forward) mentioned the book hangover--the feeling you get when you end a book and look around and everyone else is still going about their daily lives, unaware yours just shifted, a little, because of the emotional trauma on the page.

Not easy to do, not really, for the author.

While the goal of the gothic author is to make readers believe the impossible enough for goosebumps to raise on their arms, the goal of the romance author is to make the reader believe enough in the passion on the page that they fall in love with the characters. They fall so hard (sometimes so fast in the shorter stories) that they even can feel that rush, that high, that comes from falling. They come with the characters so deeply, they might even get turned on.

By words.

In a story.

If I wrote, "You are turned on, now," no reader would be wiping the steam from their monitors. But if I combine the words just right, I can leave a reader blushing--a physical response to a story I told.

How COOL is that?

Why do people read it? Well, humans are addicted to that feeling. Everyday life isn't full of chances to fall in love over and over so the story gives the reader the feeling without all of the complications. Someone once said to me that the genre causes woman to have unrealistic expectations, that they become addicted to the idea of romance in a book rather than the real life experience.



I laughed, not the most erudite of responses, but chocolate releases the same chemicals in the brain as sex and there aren't many ACTUAL chocolate addicts out there. We may crave it, but addiction? Yeah, not really. Nor do we try to replace the real life feeling of another person's hands on our skin with a candy bar.

Basically, what I am saying is that, yes, I turn people on for a living if I'm doing my job right. I make them fall in love with characters that only exist in my head until I let them loose in word form.

It isn't easy and it isn't something I can explain, exactly.

But if you're doing it right, those reading it will turn red.

And you know you're onto something.

Happy Writing!